Glitch
Glitch
A surrealistic fantasy, GLITCH transports us to the mysterious basement of a deserted theatre. At least that’s what our 4 intrepid explorers believe as they delve into this new universe that is about to change them forever.
What will they find in this strange dimension where the laws of reality defy those of our own? Lighting, stage design and costume all come together, at the mercy of the laser beam that becomes a fifth character. This is the glitch that appears, disappears and guides the young audience to the discovery of this forbidden place, where the gap between two worlds becomes almost illusory.
In this limitless playground where the protagonists and the elements are closely intertwined, GLITCH awakens the imagination and leads the spectator to question and embrace the unpredictable.
Family audiences: 6 to 12 year olds
School audiences: grades 1-6
Approximate duration: 55 minutes
Testimonials
My students were fascinated by the really ‘out there’ aspects of the show. When we left the theater, they were talking about everything they had seen and felt with a glow in their eyes. Not only that, but many of them asked if we could go back to the theater as a treat: a sure sign that this was a show they really loved.
Teacher, 2nd elementary cycle
When I saw Glitch it really inspired me because I write books and it gave me a lot to draw on. I would give it 10 out of 10: all the ideas, the set, the lasers, the performance, it was the most visually impressive show I’ve seen! Definitely a big favourite!
Élie, 8 years old, Lévis Sauvé School
The show stirred a lot of different emotions in the children; you could see fear, laughter, stress and relief on their faces! I loved the various tableaux and the fact that they were quite short, so even if the kids were scared, they weren’t scared for very long! It’s a creative, dynamic show and the choreography is beautiful and eclectic. Thank you!
1st grade teacher
Reviews
“The show is like a glimmer of light in the darkness, a brilliant production designed for children, but which adults will find equally thrilling. The technical execution is a feat in itself, for the success of the performance depends on meticulous precision. It perfectly underpins and complements the show’s artistic dimension, for a result that is both captivating and exciting.”
Jeu, Theatre Magazine
“Hélène Langevin and Audrey Bergeron have produced […] a show that is artistically precise, calculated and rigorous, one that children both young and old were quick to embrace. The laughter, the reactions and the standing ovation – a rare occurrence in children’s theater – were testament to its success.”
Le Devoir
CREDITS
Conception & direction
HÉLÈNE LANGEVIN
Choreography
AUDREY BERGERON
HÉLÈNE LANGEVIN
Performance
JOSÉ FLORES
MARIANNE GIGNAC-GIRARD
CHLOÉ OUELLET-PAYEUR
GABRIELLE SURPRENANT-LACASSE
Artistic team
Costumes
MARILÈNE BASTIEN
Lighting
LUCIE BAZZO
Dramatist
MARTIN BELLEMARE
Rehearsal director
MARIE-EVE CARRIÈRE
Music
BERNARD FALAISE
Set
RICHARD LACROIX
Laser
JIMMY LAKATOS
Production team
Production manager
CATHERINE COMEAU
Sound direction and laser effects
GUY FORTIN
Technical director and lighting effects
MARTIN LEPAGE
To download
Present this show!
Choreographers
Choreographers
Hélène Langevin
Audrey Bergeron
Performers
Performers
José Flores
Marianne Gignac-Girard
Chloé Ouellet-Payeur
Gabrielle Surprenant-Lacasse
Understudies
Understudies
Carlos Mendoza
Jessica Gauthier
Nûr Khatir
Audio description
Audio description
French language showings of GLITCH can now be presented with audio description, making it accessible to blind or visually impaired audiences aged 9 and over!
What is audio description?
Common in cinema and theatre, the process of audio description consists of orally describing the visual and sensory elements of a show to enable blind and visually impaired audience members to partake in the experience. For GLITCH, each word has been carefully chosen to stir the emotions and engage the imagination of young people aged 9 and over.
In the interests of staying true to the medium of ‘live’ art, the narrative text of the audio description, having been written beforehand, is then recited live in order to synchronize with the artists on stage, allowing for better adaptation to improvisation or any unforeseen events that may arise during the performance.
How does it work?
Our collaborators Danse-Cité employ state of the art technologies, such as a specific wifi network for broadcasting the audio description. Audience members with special needs can therefore enjoy the show by downloading the Sennheiser application on their smartphone and listening to the description through their headphones. During performances, technicians are on site to ensure the smooth running of the event or to provide the necessary equipment.
Tactile workshop
The show is usually preceded by a tactile workshop, a crucial step in the success of audio description which permits members of the audience to touch the elements making up the scenography, the costumes and props, and to meet the artists playing the characters. They can also familiarise themselves with certain movements in order to facilitate a better understanding of the show and the audio description.
Our partners
The audio description of GLITCH would not have been possible without the vital collaboration of Danse-Cité, our financial partners, the TELUS Foundation for a Better Future, the Caisse Desjardins De La Culture and the generous donations received during the 2022 and 2023 editions of our annual campaign, Collective Sentence. The first show performed with audio description was produced with the assistance of the Maison Des Arts De Laval on December 3, 2023.
Did you know…
- Around 350 000 people in Quebec suffer from a visual disability (La Presse)
- In Quebec, 1 out of every 4 school age children is visually impaired (Ordre des optométristes du Québec)
- In Canada as a whole, it is estimated that approximately 10% of preschool children suffer from a visual impairment. (www.fightingblindness.ca)
- “Theatrodescription” (audio description in theater) was created in 2014 thanks to Sylvain Noël, the founder and president of Connec-T.
- Since 2021, Danse-Cité has played a major role in the implementation of audio description in dance in Quebec, especially as an active participant in the development of specialized resources.